with material from hyetal, bashmore, headhunter, joker and more in their discography, soul motive have established a reputation for seeking out the various strands of music blossoming both close by their bristol hq and far (cosmin trg has also featured on the label) arriving at their eleventh release soul motive further indulge the sounds of local talent coleco, a producer who contributed to one of the labels early, split releases and is now granted the full grip of a twelve inch. lead track >hypnagogia< takes its cue from the loose percussive style of shackleton, gradually weaving in a thumping half step groove and intoxicating layers of eastern strings - accomplished stuff! on the flip victoria klewin adds her floating, slightly saturated vocal tones to the galloping mysticism of >find me<.

ladies and gentleman: der dritte raum is back - and this time, its not only with new sounds in well known krüger style, but also with a new label platform: der dritte raum records! fresh and dreamy, thats the sound of the first release, with four tracks full of groove, warmth and the distinctive der dritte raum-funk on board. on all tracks of this release andreas krüger proves he has a firm hold on his analogue machinery - as always - but also shows his connection to contemporary machine music as well as krautrock and psychedelic sounds. inspired by his band project von trips, numerous analogue recordings entered the new material. wre ready to take on summer with this first release on our new label: warm layers and playful details skillfully surround the swinging grooves - you can almost feel the soft breeze of a beautiful summer night touch your skin. just wonderful.

dutch master orlando voorn with a two-track release containing some of his pioneering material as format. rightly recognised as one of a handful of artists who built the early, crucial bridges between europe and detroit in the late-eighties and early nineties via collaborations with juan atkins and output for kms, voorn’s legacy is unquestionable. winning hollands dmc championships in 1986 and 1987 was the real career catalyst and there seems to be no let up in quality since then, either as a dj or a multifaceted, multi-genre producer. these two tracks are produced in 1993 and still didnt loose their magic!damn right and jam session have that the raw charm, edge and vibe sounds so current. energetic, melodic and broken, both tracks touch on a myriad of styles but what shines through is how modern electronic styles can be traced back to this sort of fantastic, unique output. format remastered could be sitting snuggly alongside modern house, techno, uk garage, uk funky and many more contemporary styles. this is a rare chance to grab beautifully treated versions of classic voorn material.

these days records presents the latest argy dance-floor compositions. after a thrilling array of high profile remixes in 2012 ranging from osunlades envision for defected to material for shlomi abers be as one imprint, its time for the artists return to his own imprint with 3 original tracks characterized by the cross-over house music soundscapes that argy is well known for. the ep includes a special collaboration with the parisian dj/producer amnaye.

in june 2011 subtext recordings was restarted after a six year hiatus for the release of the second lp from emptyset, titled >demiurge<. this album represented a transition from the first two subtext releases, a pair of seminal experimental recordings from the groundbreaking duo vexd, switching path into a new terrain that allowed for the distortion and dissolution of the sequencer grid and shifted the focus of the label from the programmed to the composed.
through this development subtext recordings has evolved into a conversation between emptyset, the ex-vexd artist roly porter, and composer paul jebanasam, who has spearheaded the revival of the label. this new release continues this dialogue by commissioning both porter and jebanasam to respond to the material contained within >demiurge< and develop their own interpretations of the original album.

coming back with a bang in 2012, craggz & parallel return with some eagerly anticipated new material in the form of the product placement ep. released on their own product imprint, it consists of two tracks that while different in style, still retain that certain kind of funk that has permeated through their music ever since those early releases on valve recordings right up to the guys most recent full length effort, the critically acclaimed turn the page lp.

in the 18 months since his brilliant debut release for we play house, luv jam has been steadily building his profile with a number of releases, and now he returns on vibrations with his first full ep of material since that auspicious first record. the eps a-side is a typically lush foray into stripped back, slo-mo house, with opener tough future utilizing little more than a 303 bassline and 909 kick to slowly build up to its raindrop crescendo, and >rubber band< employing a number a dreamy synths atop its tense, gurgling bass. the pace picks up on the b-side with >last floor hotel (mega mix)< upping the tempo and going into full on acid mode, with its furious pace accented with frenetic cowbell hits and industrial textures. the ep closes with >elastic band< a deeper excursion into jacking house, characterized by its flurry of handclaps, weighed up by its rubbery bassline.

material: wasserabweisendes ballistic-nylon außen (1682d) gepolsterte midi controller fach (vestax vci 100/300) hält bis zu 39.6 cm laptop taschen für audio-interface und einem kopfhörer retractable griff mit 4-stufiger interner trolley-system

our little dutch sun god onno knows best how to make the kids shine, and as expected, hes put together a breakwater just in time for beach season: whatever makes you happy glides on on the crest of the a1 groove with a heavy-duty surfboard. its laconic vocal work and dynamic drum rolls are echoed in the remix by nicola jah at coordinates b2. this italian producer dives into stiller waters, which of course run deep down into the vibrant ocean of sound. for the b1 onno provides similarly strong dancing material, shooting pool on the sundeck of his boat and knocking “8ball” into the hole of victory. finally, magit cacoon, our latest roster addition and the first woman on deck of the uy vessel, cruises via the digital route for her debut, an utterly deep remix of whatever makes you happy with bass that sets uy061s sails toward a blissful ending to the voyage

abstract modern electronica by heinrich mueller. first new material for the der zyklus project since 2008.

tireless producer, tronic boss and top international dj christian smith here steps up for his first release on plus 8. over the years christian has offered up a high volume and high quantity of techno inclined singles for myriad labels (bedrock, systematic, 100percent pure, soma), so it only makes sense he now finds himself on one of the scenes most reliable outposts for such material. the two track ep kicks off with house is house which is, as the name suggests, a little house-ier than the flip, but still deals in plenty of heavy bass weight and slick repetition. the devil is in the detail filtered, dark voices, rattling cowbells, washes of white noise synths and long, thin, forward looking pads - all of which are married to a mid-tempo groove. the more forceful indulge me then follows. taught kick drums start immediately as claps and subtle synth stabs swell in volume until they eventually fill out the whole airwaves. squirming behind are thin and icy steel lines until the first drop when the deliciously bouncy groove sets in proper. far from aping the usual detroit and chicago tropes, christian smith has once again crafted two classy dance floor joints that are not only exquisitely produced, but that bare all the usual hallmarks of christian smith, one of the most consistent producers in the game.

i light another cigarette in the tittery the sparrow has landed. we have returned from our excursion to the modern and would like to share what we brought with you: some showtunes and a twelve tone row. the show, as it turns out to be, is our very own. we started out writing new material to perform on stage, after we had found out it was great fun to refrain our instrumentation to vocals, piano and bad acting. originally very attracted to the- as our label told us- very clandestine idea of releasing three 12inches with very limited playability for djs, we agreed not to ruin our dial friends and work on an album instead.

as one half of the iconic house music duo h foundation and a revered producer and dj in his own right, halo needs no introduction. his surface imprint promises to deliver deep electronic music that retains a classic feel and its maiden release is just that. marascos >cloudy< is heavy set house music with an irresistible hypnotic quality. a rock steady bottom end drives the drum track as percussive elements and tribalesque vocals drop in and out of the mix. highly functional dancefloor material. on remix duties the legendary dj sneak adds his trademark infectious energy to proceedings, inserting a funky basssline and jackin percussion to great effect. halos surface remix showcases his production prowess with heavy processing on the vocals and percussion resulting in an organic rolling tech house work-out. rounding off the ep danilo vigorito provides a brooding tech house take on >cloudy< that will cater for the more discerning floors. surface begins as it means to go on.

the next release on the la-based culprit truly represents the new age of global, musical connectivity. a showcase of original material from three artists, separated by locale but united by a like-minded approach to dance music - londoner and frequent culprit flier matt tolfrey, miami-based lazaro casanova, making his label debut, and the local angeleno boy nikko gibler pay tribute to a lifestyle spent in planes, hotel and at airports with the aptly named, lax ep

shit robot returns with his first new material since the release of his debut long-player, >from the cradle to the rave<. after spending much of 2010 and 2011 touring the globe with his live show – including a string of dates opening/performing with lcd soundsystem during their final shows in nyc - the rebooted robot is back with >the green machine<. the first result of his stuttgart/new york studio adventures is a double-header of dancefloor jams, >teenage bass b/w >space race<, which is released on vinyl and digital on dfa on may 21 2012. its the first in a series of releases called >the green machine<, which will culminate in an album early next year. lead cut >teenage bass< rides a rude ebm bassline and rave alert sirens, before expanding further with key changing chords and a defining arpeggiator. the hypnotic >space race< is a distant relative of 2007s chasm – a meandering, melodic, star-gazing robo-techno workout

surplus ships is sort of an odd - beat based - vinyl version of pomassls spare parts album (raster noton 2009). with hints from his excellent skeleton material released by sabotage/laton/sex tags mania (1996-2007) his new mini-lp takes fragments of dubstep, techno, skwee, even oriental atonal melodies and merges it with pomassls signature industrial attitude and avant sense of compositions. enter the quality sonic world of pomassl.

next up on rekids, a veteran of dance music bestows the celestial vibrations ep, a flawless package of original material under project alias the rhythm odyssey thats all acidic analog rawness and fuzzy vintage synths.

ander-traxx is a fresh label operating out of glasgow with the intent of releasing righteous underground house, and although mainly a platform for the labels founder alex-ander to showcase his own productions, ander-traxxs remit also includes the presentation of unknown talent for future releases. for this first release, alex steps up to the plate to deliver because of me, followed by 3 remixes from artists born and raised in glasgow. the original kicks things off with its intro of glacial pads and jittery hats, before quickly delving into a seriousely deep groove brimming with melodic layers. although because of me gives a strong nod to the recent developements of producers like omar s and kyle hall, it undoubtedly has the hallmarks of an alex-ander production, his unique arrangements coming to the forefront while still complimenting the crisp percussion that drives the track forward. carlos nilmmns (co founder of the formidable solab production unit) mix is a much more off-kilter and submerged affair. nilmmns plays down the epic quality of the original and adds chugging rhythmics and sweetcured piano work for a lesson in divine repetition. mesumas feedback mix goes in for the dancefloor attack, not surprising for a gentleman whos previous work has seen releases on hardgroove and seventh sign. rolling toms and a booming kick meet aquatic vocal samples and spectral harmonicas, and will still please those partial to deeper sounds. last up to give because of me the rework treatment is meschi (lunar disko, lux, snuff traxx), who mixes his chicago influenced analogue stylings perfectly with the source material. stripped down crescendos build up to a euphoric drop, and meschis elated melodies bring another twist to this excercise in deep funk. because of me is one of those rare e.ps that works just as well in a non-club enviroment as it does on the dancefloor. with this warning shot, alex-ander will surely be capturing the ears of many in 2012 and beyond.

public image ltd confirm their first new material in 20 years will begin with the ep >one drop< released for record store. followed by the album >this is pil< on may 28th, the new material will be released on the bands own label pil official.

repress... spheras winter is getting hot. its even the sphera vinyl debut for simone tavazzi (trapez ltd, material, saved, 303lovers) who gets remixed by sleepless siwell and hector couto (rising music, brise, viva music).

philpot finally presents reboot joy confession’,s album debut! after two fantastic 12inches for us in the last two years we decided it was time to collect all these fine tracks they presented to us, but weren t really 12inch single material.now, beautifully skit-connected, it all makes for one outstanding album, flawlessly fusing boombap, latin, jazz, psychedelica and raw house aesthetics and so much more!so, take some time out, make yourselves comfortable and let them put a spell on you!

a couple of months after the release of sweet nothings, dapayk & padberg are once again treating the vinyl-heads amongst us to a 12? consisting of a sunny selection of the albums core material, just in time for spring. kicking off the a-side, berlin summer nights is nothing short of an anthem: classic rave sounds of epic proportions glide through an arrangement of bouncy beats, crisp percussive work and hopeful vocals until a powerful breakdown delivers the hands-in-the-air moment. this year, summer has come early. next up, the sun came up bedazzles with a pumping beat and robotic vocals, while a progressive synth lead helps along the track’s love lyrics, turning this into a truly stunning musical moment, which already proved its power at sweet nothings’ heart. on the flip, dapayk & padberg present the albums opener, the trippy too lazy. here, were dealing with a rather brooding afterhours number that is equal parts paranoid and mesmerising as a wonky bass vibrates under dubbed out pads, eerie synths and vocal whispers. the perfect antidote to the cheery a-side!

for uzuri 018 we return to one of our home grown artists – jitterbug. time has flown since his last release for us in 2010, but we have been quite eager to get some new material out from him for a while – and, based on feedback we have had, plenty of other people are keen to hear more from him too. both his raw winter and beaten trax eps were pretty popular releases for us and his dj appearances always create a stir, so we are pleased to bring you this, the arcane theory ep. the track sequencing on this record is pretty aggressive – front-loaded with the confrontational rise of the machines. a track that really lives up to its title, sounding like the production line at cyberdyne systems… all stomp and evil synths, like a bad mood e-dancer. fallout couldnt be further from that – relaxed and making no attempt at all to get in your face. itll win you over, though. just a nice, deep groove and a lovely, phased beat. could play it for hours… the whole of the flip is devoted to nomads, a chiming, acidic wander. nearly eleven minutes in length. the kicks never at the fore on this one – most of the action occurs at the mid and high frequencies – a resonant 303, lots of hi hats and, later, synths which expand on the eastern-flavour of the track title

ayoze chico & ollie mendez aka sonogama met each other at the beginning of the 90s thanks to the same interest and enthusiasm for house music. with some more material to be released soon, these two will be very soon ones to watch!

the situation crew have paid their dues with some of the better disco edits to surface in recent times - a particularly slick and slippery revision of a quantic standard for disco deviance still gets rotation from those in the know. its nice to see the slightly elusive five valley crew return to the art of the twelve inch with something a bit more substantial in form of a new label situationism and some original material for the debut . barcelona is presented in three different danceable situations (geddit) with the disco version a particular highlight. the excellent psychemagik are also called on to remix the track in their own inimitable somewhere between house and disco style

the majestys pleasure label returns after an extended break with their fourth issue of disco-centric edits and its clear the time out of the spotlight has left this mystery bunch of dusty fingered tweakers fully refreshed. whilst previous volumes have dipped toes in funk filled and philly string led waters, majestys pleasure vol 4 focuses fully on music from the post-disco /proto-house period of the 1980s and sounds very much like a beautiful swimmers dj set condensed into just 12 inches of vinyl. the concerted diggers out there will be consulting their sample notes for the source material on each of these (space palace has the most obvious hook) whilst those whove simply been enjoying output from the intermittent eros label will love both sides here

the latest release out on separate skills recordings is written and produced by the israeli protagonists deepa & biri featuring gene. the promising talents and key figures in the electronic music scene of tel aviv have massive support by the most respected legends from detroit. there is no doubt that these young guys are musically rooted in a direction we call techno with a wide range focus on chicago and detroit. concerning their activities yaron deepa, itai biri and gene adnew are well known artists by now with impressive releases on labels like upon you, rotary cocktail, circle and material.

for a short period in 1981 and with brand-new equipment such as roland 808, sh 101, gr 500, we made some 8-track just for fun jam tapes. mainly just to experiment for our own pleasure. from those sessions, only white horse made it to a final treatment. the rest of the material was left behind, as our record company at the time found it too different. after white horse being a track indeed defining our sound, we thought it would be interesting to dig out left-overs to fulfill a documentation of that period - crucial for us at the time. we were still innocent newcomers, without actually knowing to be creating a new sound! recently, that left-over material was transferred from analogue to digital and, to stay as true as possible to original intentions, we only added vocals, bass and drumbeats ahead of a final mix. we hope that you will enjoy listening to it. good vibes from laid back copenhagen 2012.

danny serrano (saved records, suara, brise) back on sphera with hot remixes from mihalis safras (material, soma, trapez) and piemont (plumbum, suchtreflex, yellow tail).

the collectable artifact imprint is taking a detour from incendiary and obscure disco re-issues into releasing even more obscure material. mysterious italian electro-wave band cristalli liquidi are featured here with a killer rare italo gem produced by tinto b. (also known for robots are un-american, re-released on italians do it better last year). inspired by a lcd soundsystem song tinto b. comes with this great record! we cant find the connection to the lcd soundsystem track that supposed to have been his source of inspiration, and actually we dont care... its some of the best recent italo disco we ve heard in a while! if you are big on italo vocals the a side is for you, if instead you dig deep electro disco but without the chanting, the dub version on the flip side will more than certainly send you into italo space. another hot artifact release from mr. bottin. tip! (limited supplies!)

introducing club constructions, a new series of releases that will operate alongside night slugs main eps and white label series. a new home for our most direct productions, cc will run as a channel for raw and tracky material aimed straight for the dancefloor. the first cc volume comes from l-vis 1990. hot on the heals of his >neon dreams< lp, l-vis dives further into the house music whirlpool, drawing on classic dance mania and underground construction vibes (think robert armani building trax for 2012) to deliver 5 tape-saturated, strictly-analog slices of modern-day ghetto hard house. strictly for peak time use!

exium are one of the best when it comes to industrial chordy techno with his well known swooshy sounds. an excellent 4 tracker by the 2 techno kings who recently released fine material on nheoma and warm up among others.feedback:dj rolando: thanks for the new planet.sounding very good!2 deep & aces high are my favourites.kazu kimura: i like microbot, kr!z token: thx, will play apophis, sounds very phase

new material from las gifted & blessed, this time dropping on the uks eglo records under his the abstract eye guise.
a man of many names, the ever illusive musician / producer / dj / director can credit the likes of flora purim, airto moreira, sa ra creative partners, steve spacek, king britt and baatin among his collaborators. with a fetish for analog hardware, drum machines and synths, gbs sound techniques, range and versatility separate him from the pack.

you know a producer has got something when the first note of the first track you hear makes you sit up and take notice. so it is with 19-year-old east londoner joss ryan: the instant the jabbing orchestral motif at the beginning of >melancholy dreams< – the title track of his debut ep – kicks in, it hits your emotional centres hard and lodges in your memory. as statements of intent go, its a pretty tasty one, and tells you that this is a talent who can stand out and make an impact way beyond the ins and outs of the micro-genres and endlessly reconfiguring trends of underground music.to put it simply: joss is a grime kid who expanded his horizons. his popular mix of his own material for mary anne hobbss radio show last december already shows that the three tracks on this ep are by no means a fluke, and there is a whole lot more to come besides…

akufen is back in great shape with some new original material for his own label musique risquée, the only label where you can find these unidentified musical objects. five tracks of swinging melodic madness like only akufen can craft. if these songs dont bring you a smile, well, too bad for you.

irish live act / release duo lakker join the blueprint label with their first release. slick shake inspired techno and electronic tracks. irish lads ian mc donnell and dara smith have been recording for some time as lakker with a number of releases for the likes lazybird, alphabet set, acroplane and most notably killekill. here we proudly present their first blueprint record in the form of the arc e.p. a superb mix of bass driven techno and electronica across the four tracks here but the office fave has to be a2s super-shuffling piano track -ed- which reminds very much of mid-period anthony shake shakir material from days long gone.

this is the second vinyl teaser for the upcoming andre lodemann album fragments which is to be released in may 2012. the album will contain both original material and remixes produced by andre lodemann. this ep selection features two brand new original tracks going to the core feat. nathalie claude and unknown desire as well as a vinyl first dont panic. while going to the core, spoken word track, starts of with a focused sample-groove that then unleashes unknown emotional depths. the epic slow-burner unknown desire takes a different path pairing a funky groove with a melancholic touch. dont panic clearly has a jazzy feeling to it avoiding clichés. all tracks bear the lodemann typical production style creating a special emotional ride

two giant forces in dance music collide as guy gerber makes his first foray with the visionquest imprint. >the mirror game<, guys first original material since 2010, explores varying shades and tempos across two distinct cuts of progressive tech and electronica.

madonns 1984 pop-classic remastered and re-isssued on heavyweight 180 gram vinyl.

masami akita and lasse marhaug have been working together since the mid 90ies. the first release on marhaugs (now deleted) label jazzassin records in 1995 was the >first rock< split single. in 2001 merzbow and jazzkammer (marhaugs project with john hegre) released a live album. later, akita and marhaug executed several live collaborations, but often with other artists such as hair stylistics and jim o rourke. in 2010 they finally got together to record as duo. recorded at gok sound studios in tokyo the results can now be heard as >mer mar<.
made using a combination of scrap metal screeching, analogue synths, and enough effect pedals to give you overweight with most airline companies, >mer mar< is a tour de force for both of these noise veterans, hinting to some classic 80s merzbow jams such as material action.

mutex recordings are back on wax with fluid ep from unbalance. this guy put out one of the most decent productions in 2011 with his white-labeled unbalance series and definitely is one of the artists to watch for in 2012. his music is an incredible collage of everything you love in techno: thick groove, detroit-styled chords and spooky futuristic effects. argentinas techno hope jonas kopp on remix duties completes the release with his unique recognizable straight-to-the-dancefloor material that really kicks ass! this one is a record that shouldnt be missed!

photek stands mercilessly on the edge. a sonic scientist, pushing both his sounds and fans expectations to the outermost limits since 1994, he floods the footnotes of electronica like mp3s clutter up your hard drive. 2011 saw him drop a series of sounds that reflect the truest perception of him. driven by his years of studio discipline, sharpened by an acute awareness that he will be received by the heads that know him well and ears that dont know him at all. destination tomorrow: photeks decorated past and diligent work ethic leads us here. the new music you have heard from photek in 2011 is yet another chapter in a life spent overdosing on sonic nuances and boundary testing. in the past 12 months his new material has been remixed by the brightestyoung stars of dance music - boddika, falty dl, addison groove and breach to name a few. in turn, photek has remixed for the likes of moby, jess mills, distance, ray lamontagne and was part of daft punks tron remixed package - for which he has been nominated for a grammy. his newly re-launched label, photek productions, has this year released the >avalanche ep< which garnered international support from tastemakers such as benji b, gilles peterson, skream, annie mac, zane lowe and more, and the >aviator ep<.
comes with code for free download of this release.

following their second album >demiurge< released in may 2011, >medium< arrives as the first non-studio based production by emptyset, recorded on location in the remote woodchester mansion in gloucestershire. the collection of tracks explores the duos preoccupations with the elemental properties of sound and bare rhythmic structures and overlays it onto the textural possibilities of space and material. the project marks their first act of adapting their analogue-based studio system into an architectural intervention, pushing extreme bass and feedback into the irregular spaces of the unfinished building.

sophisticated bass re-rubs on two classic tracks by mieux, club material par excellence. 200 hand-stamped whitelabels only, no digital. act fast.

this is a 1 off collaborative ep between sonic wizard my panda shall fly and analogue disciple benjamin jackson. mpsf has been on the scene a while, with releases on dam mantle’s growing records & wichita. benjamin jackson is a relative newcomer, having only self-released last year through his own label, ‘thanqu’. the pair recorded the bulk of the ep collaboratively without ever having met. the ep is rounded off by remixes from -no pain in pop’s critically aclaimed patten -r & s’s hyped new signings cloud boat -’my panda shall fly’s material is groundbreaking’

the material included is a collection of three selected tracks from karol xvii & mb valences ep series remixed by famous producers. before, the duo has collaborated with gorge, soul minority, kruse & nuernberg, sebastian davidson or the timewriter, just to name a few. now, the remixers involved are aki bergen, pezzner, and shur-i-kan

massive stuff! early praise and support from: thomas schumacher, martin landsky, john tejada, jimpster, ben watt, anthony collins, varoslav and dave aju among others. deep, dank and dusty is the name of the game for bad animals second vinyl release. san franciscos safeword (marc smith and clint stewart) have been on a tear since forming last year in san francisco. right off the bat they ve hit a stride with releases on fine labels such as dessous, paso music and are currently remixing for the mighty mobilee. this, their debut ep on bad animal titled >west portal< weaves down more soulful yet dark avenues. deep vibes, smooth synths and silky vocals are perfectly accompanied by heavy, churning rhythms and tasteful reflections of acid house. the legendary smash tv lend their expertise to round off the ep with an acid house monster of a party jam. while still retaining the dusty soul of the original material, the berlin-based duo has brought their >midas touch< to bad animal with this golden rework.

>the loudest engine< is the third studio album of london-based australian indie rock band howling bells. the album originally came out last september. the band wrote most of the material whilst on the road supporting coldplay during the viva la vida tour.
180 grams audiophile vinyl pressing including full colour insert. features the bonus track arrows (acoustic version).

after a break from releasing new material while he concentrated on developing the freerotation electronic music festival, mindtours label boss steevio is back with a 4 track ep of live improvised modular music. modular techno vol 1 is four tracks of raw, deep, jazz tinged, freeform, analogue minimal electronics, all sequencing and sound manipulation was jammed live on steevios modular synthesizer, without the use of a computer, or eq / compression / mastering or any other processing in a deliberate attempt to capture a live electronic music performance directly to vinyl.